PSALM 42



PSALM  42

VUC  Psalm 41:1 In finem. Intellectus filiis Core.

DRA  Psalm 41:1 Unto the end, understanding for the sons of Core.

2 Quemadmodum desiderat cervus ad fontes aquarum, ita desiderat anima mea ad te, Deus.

 3 Sitivit anima mea ad Deum fortem, vivum; quando veniam, et apparebo ante faciem Dei?

 4 Fuerunt mihi lacrimae meae panes die ac nocte, dum dicitur mihi quotidie: Ubi est Deus tuus?

 5 Haec recordatus sum, et effudi in me animam meam, quoniam transibo in locum tabernaculi admirabilis, usque ad domum Dei, in voce exsultationis et confessionis, sonus epulantis.

 6 Quare tristis es, anima mea? et quare conturbas me? Spera in Deo, quoniam adhuc confitebor illi, salutare vultus mei,

 7 et Deus meus. Ad meipsum anima mea conturbata est: propterea memor ero tui de terra Jordanis et Hermoniim a monte modico.

 8 Abyssus abyssum invocat, in voce cataractarum tuarum; omnia excelsa tua, et fluctus tui super me transierunt.

 9 In die mandavit Dominus misericordiam suam, et nocte canticum ejus; apud me oratio Deo vitae meae.

 10 Dicam Deo: Susceptor meus es; quare oblitus es mei? et quare contristatus incedo, dum affligit me inimicus?

 11 Dum confringuntur ossa mea, exprobraverunt mihi qui tribulant me inimici mei, dum dicunt mihi per singulos dies: Ubi est Deus tuus?

 12 Quare tristis es, anima mea? et quare conturbas me? Spera in Deo, quoniam adhuc confitebor illi, salutare vultus mei, et Deus meus

2 As the hart panteth after the fountains of water; so my soul panteth after thee, O God.

 3 My soul hath thirsted after the strong living God; when shall I come and appear before the face of God?

 4 My tears have been any bread day and night, whilst it is said to me daily: Where is thy God?

 5 These things I remembered, and poured out my soul in me: for I shall go over into the place of the wonderful tabernacle, even to the house of God: With the voice of joy and praise; the noise of one feasting.

 6 Why art thou sad, O my soul? and why dost thou trouble me? Hope in God, for I will still give praise to him: the salvation of my countenance,

 7 And my God. My soul is troubled within myself: therefore will I remember thee from the land of Jordan and Hermoniim, from the little hill.

 8 Deep calleth on deep, at the noise of thy flood-gates. All thy heights and thy billows have passed over me.

 9 In the daytime the Lord hath commanded his mercy; and a canticle to him in the night. With me is prayer to the God of my life.

 10 I will say to God: Thou art my support. Why hast thou forgotten me? and why go I mourning, whilst my enemy afflicteth me?

 11 Whilst my bones are broken, my enemies who trouble me have reproached me; Whilst they say to me day be day: Where is thy God?

 12 Why art thou cast down, O my soul? and why dost thou disquiet me? Hope thou in God, for I will still give praise to him: the salvation of my countenance, and my God.

 


Psalm 42 (Loudest Praise) | Shane & Shane

Shane and Shane


Text in liner notes
738,848 views / Premiered Jun 11, 2021/ MIN 5:55


Ke'ayal Ta'arog (As the Deer Pants) Psalm 42 - James Block


In Hebrew with translation but no transliteration.
33,349 views / May 31, 2024 MIN 4:38


CityAlight - Psalm 42 (I Will Praise Him Again) Live



999,465 views / Premiered Sep 23, 2022 MIN 4:05

Psalm 42: Quemadmodum desiderat cervus

Chant & Poetr



536 views / Feb 18, 2021 / MIN 4:51

Nine hundred years ago, the Cathedral of Salisbury, England developed a unique form of chant and liturgy known as the “Use of Salisbury,” or “Sarum Use.” Differences from the Roman rite are both melodic (more florid in the Sarum) and textual (Elizabethan English rather than Latin). The best repository of Sarum Use tones is the St. Dunstan's Plainsong Psalter, from which Sarah has sung this psalm. Additional resources on Sarum Use plainsong at https://canticasacra.org. 


The word “Sarum” often shows up in our Hymnal, indicating that a hymn tune is based on a plainchant melody from the “Sarum Use.” For example, the tune to which we often sing Hymn #485, “Jesus, thou Joy of loving heart,” is named CHRISTE REDEMPTOR. Our Hymnal indicates (in the upper right-hand corner of the page) that the tune’s origins are from “Sarum plainsong, Mode I.”

“Sarum” is the abbreviation for Sarisburium, the Latin word for Salisbury, a city in south central England. The city is home to Salisbury Cathedral, and Salisbury is also the name of a diocese in the Church of England and in the pre-Reformation Church in England. The “Sarum Use” is the name applied to the ecclesiastical and liturgical order developed at Salisbury, beginning in the early thirteenth century, under the leadership of Richard le Poore, dean of Salisbury from 1198 to 1215 and bishop of the diocese from 1217 to 1228. The Sarum Use predates the consolidation and uniformity of the elements of the liturgy and its exercise that was eventually established in the Western Church.

These elements include the saints’ days recognized in the calendar, the colors used and the specific vestments worn by clergy in the liturgy during specific seasons, and the music that was sung during the Mass and the Office.

By the fourteenth century, the Sarum Use had been adopted in most of England, as well as much of Wales, Scotland, Ireland, and even some places on the continent. While other diocese in England (e.g., Hereford, York, Bangor, and Lincoln) also maintained distinctive liturgical practices, J. Robert Wright claims that the Sarum Use was “the finest local expression of the Western or Roman Rite in England up to the Reformation.”

After the Reformation, in 1549, the Sarum Use was outlawed by Edward VI. While it enjoyed a brief return to use between 1553 and 1558 — during the reign of Queen Mary — Wright explains that “The Use finally met its demise in England with the accession of Elizabeth I by royal injunctions of 1559 that reiterated the Edwardian decree that the Sarum books should be ‘utterly abolished, extinguished, and forbidden.’ In English Roman Catholic seminaries abroad, however, it continued until the Roman Breviary of 1568 and Roman Missal of 1570.”

Psalm 42 (Like A Deer) · John Michael Talbot
No text or video but slow clear singing, 5:24 min 72,549 views • Jan 28, 2015 most all verses

Psalm 42 Song - As the Deer Jason Silver  
Text and summer slide ; 5:24 min 16,896 views • Mar 30, 2017 most all verses

Psalm 42 (Lyric Video) Corner Room
Text and slide; 4:32 min 12,228 views • Mar 26, 2018  

Psalm 42 Song (As the Deer) Winter Version by Jason Silver
Text and winter video; 5:24 min 2,484 views • Jan 31, 2020

Psalm 42-Sons Of Korah
Slide no text or video; 3:24 min 33,753 views • Mar 12, 2016

Psalm 42 (SATB Choir) - by Heather Sorenson


Tori Kelly ~ Psalm 42 (Lyrics)

Psalm 42 arranged by Samuel R. Hazo

Satisfied in You (Psalm 42) · The Sing Team

My Help, My God (Psalm 42) · Sandra McCracken

Lord From Sorrows Deep I Call (Psalm 42) · Matt Boswell · Matt Papa

Psalm 42-43 As the Deer

As The Deer PSALM 42:1 MV

Worship Video Artist: Lisa Corby

Lord From Sorrows Deep I Call is a lament from Psalm 42. Words and Music by Matt Papa and Matt Boswell
KeithandKristyn Getty

KeithandKristyn Getty
Psalm 42/43: As the Deer Pants for Water · Ian White

Lord From Sorrows Deep I Call (Psalm 42) With Lyrics By Matt Boswell and Matt Pap

Text: Irregular, based on Psalm 42; Danna Harkin, copyright 1975 Word Music, LLC

his worship video includes Hebrew Scriptures of select verses of Psalm 42, transliteration, and English translation, all to the melody of "As the Deer" by Martin Nystrom.